Brooklyn shines bright in ‘American Buffalo’ on Broadway
Lighting designer and Park Slope resident Tyler Micoleau is illuminating a historic revival.
Enter the dimly lit lobby of what feels like a new museum, bordering the cold Paramount Plaza parking lot in Midtown. A giant taxidermied buffalo is roped off, in front of which people take hurried selfies to post to their timelines. Walk further and you’ll find what appears to be the most elaborate junk-shop-thrift-vintage store you’ve ever seen; like something you’d stumble into off the sidewalk in Williamsburg, only there’s a strange emptiness to it, an unfamiliar nostalgia, and it’s surrounded by hundreds of seats on all sides.
You’ve just entered the Circle in the Square Theatre, and are about to witness a distinct moment in time on the Broadway stage. After a two-year pandemic-induced freeze-frame, the award-winning play by the mythic David Mamet has thawed out, and is entering previews alive and red hot, featuring some of the best film and stage actors of our day. With them every step of the way, and illuminating their work, is Brooklyn’s own, Tony-award winner and one of the fastest-rising stars in Broadway design, Tyler Micoleau. I had the pleasure of sitting down with him during the first week of the show’s long-anticipated relaunch.
“It’s been a bizarre experience, Micoleau tells me. “We started focusing the lights and pointing them on March 12th (2020) and that was the last day in there, so they sat in there for most of the pandemic.”