New York City

9/11 Museum stages art exhibition rife with reality

July 14, 2016 By Verena Dobnik Associated Press
"9-11 Elegies," created by Ejay Weiss using ash from Ground Zero from what was the World Trade Center garage, is part of a special 15th anniversary exhibit at the 9/11 Memorial Museum by 13 artists who have filtered a day of terror often with personal links into works of both grief and tenderness. AP Photo/9/11 Memorial Museum
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To mark the 15th anniversary of the World Trade Center attacks, the 9/11 memorial museum is staging an art exhibition that in some cases uses actual remnants of the day of terror in works that convey both grief and tenderness.

Scorched and torn business papers from the collapsing towers and radio transmissions from the fiery pit are part of the collection titled, “Rendering the Unthinkable: Artists Respond to 9/11,” which opens Sept. 12.

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Thirteen artists contributed paintings and a sculpture, as well as works on paper and video.

In one video clip, a young woman washes her fire chief father’s shirt — soiled from three days spent working in the smoking World Trade Center rubble.

Brooklyn resident Christopher Saucedo created his papier-mache artwork, “World Trade Center as a Cloud,” as a way to remember his firefighter brother, whose remains were never found.

Other artists lost friends or witnessed the attacks.

Monika Bravo, a native of Colombia living in Brooklyn, had filmed a thunderstorm passing over the city on Sept. 10, 2001, from her studio on the 92nd floor of the north tower. The footage is now condensed into a piece dedicated to a fellow artist who died a day later in the same tower.

“Through the lens of art, we reflect on the raw emotion we all felt on that unforgettable Tuesday morning 15 years ago,” said Alice Greenwald, the memorial museum’s director. The artists are not asking “that we revisit the horrors of that day but that we try to make sense of what was left in its wake.”

Some works incorporate papers, in many pieces, that were blown out of the disintegrating skyscrapers and landed as far away as Brooklyn across the river. They included a rumpled sheet in Japanese and an application for a marketing job written days before the Sept. 11 attacks.

The exhibition was assembled by the National September 11 Memorial & Museum that oversees two reflecting pools bearing the names of the nearly 3,000 people who died that day in New York, Washington and Shanksville, Pennsylvania.

The display is the first in the museum’s special exhibition gallery where various 9/11-related topics are planned in the future.


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