Rosen’s Review – Macbeth vs. Minions: Rise of Gru
Both boast big time Brooklyn connections to the 'bad guys,' but only one can take the crown.
Last week I witnessed two productions on complete opposite ends of the theatrical compendium. One was William Shakespeare’s Macbeth, on Broadway at the Longacre Theatre, starring English actor and Brooklyn homeowner Daniel Craig. The other was the new Minions: Rise of Gru film, which features the voice of Brooklyn-born Alan Arkin as Gru’s supervillain idol, “Wild Knuckles.”
Both stories explore the ascent of a budding criminal. Ascents which are famously foretold – whether explicitly stated or implicitly understood – we know what becomes of these men, Gru and Macbeth. Both of them suffer from “vaulting ambition that o’erleaps itself,” which brings them to great professional heights and which also brings them great trouble. Both also succumb to the wills of the women in their lives (if you’ve seen previous Despicable Me films, you’re familiar with the “gurls”).
Their stories are now ubiquitous in our culture – you’ve seen the yellow Minion merchandise and you’ve heard of the fated Scottish king. Oddly enough, both stories also rely on the meaning of largely unintelligible language. The Minions speak in a flurry of gibberish that is a combination of multiple dialects; Shakespeare, of course, is Shakespeare.